They’re familiar archetypes, and as the first half of the film unfurls, it’s a pretty standard-issue war movie. Among them is Boyce ( The Leftovers’ Jovan Adepo), a fresh-faced soldier who has yet to truly grapple with the consequences of war Ford (Kurt Russell’s son Wyatt Russell), a grizzled veteran who’s willing to do whatever is necessary to complete the mission and Tibbet (John Magaro), a seen-it-all smartass with a quip ready for every occasion. Most of the soldiers are killed, and the few who survive set out to accomplish the mission on their own. But before the squad’s plane reaches their drop point, it’s strafed with enemy fire. ![]() Their mission is to blow up a key transmitter so German forces can’t radio in a warning about the big attack. The film follows a squad of soldiers sent into Nazi-occupied France just hours before D-Day. It’s big, nerve-wracking, and utterly ridiculous at times - but it is a hell of a lot of fun along the way. But it’s actually an impressively polished film, filled with standout visual sequences and some quality performances that turn the film into something much more than the sum of its parts. It’s bombastic and gory, and it delivers on the total absurdity of that basic premise. The sophomore feature film of Australian director Julius Avery (following 2014’s Son of a Gun) tells the story of a World War II mission that goes horribly awry when a group of US soldiers discover what can best be described as a group of Nazi zombies. Beginning with the found-footage monster movie Cloverfield, and continuing on with its spiritual successors 10 Cloverfield Lane and The Cloverfield Paradox, Abrams has used lower-budgeted genre mashups to let new and upcoming filmmakers hone their chops, mostly resulting in some entertaining films.īad Robot’s latest film, Overlord, continues in the exact same vein. Abrams has spent the last few years eagerly embracing the latter point of view, producing outright B-movies through his company Bad Robot. Between directing blockbusters like Star Trek and Star Wars: The Force Awakens, J.J. ![]() For some people, labeling a film as a B-movie is a crushing bit of condescension, but for others, it’s high praise and an implicit recommendation.
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